Category: Writing

  • “Handling It” Cover Reveal!

    I’m sure there are some of you out there who thought it would never happen. Heck, I didn’t know if it would happen. But here it is! The cover of my new book!

     

    Handling It Cover revised final high res

    Not everything in life is “business as usual.”

    This is definitely not a good time for Hannah Frederickson to be having entirely inappropriate thoughts about hot bartender, Deacon Black. First of all, the guy works for her at her restaurant, the Country Time Bar and Grill. Secondly, she’s got way too many other things to worry about. Like the fact that her uncle has just run off with all of her money, leaving her with a payroll to meet, bills to pay, and fifty bucks in her bank account. The Country Time Bar and Grill has been in her family for generations, and now Hannah might lose it all. Why in the world is she spending time daydreaming about Deacon?

    Deacon has wanted Hannah since they were in high school, but she only ever had eyes for his brother, Sam. Now, after spending ten years drifting around the country, he’s back, tending bar at the Country Time and ready to get Hannah’s full attention in the best way possible. If only he can keep her from falling under Sam’s spell for the third time. And help her save her business. And get her to truly see him once and for all.

    Welcome to Hardy Falls, Pennsylvania, nestled in the heart of the Pocono Mountains, where love happens no matter how hard you try to avoid it. There must be something in the water.

    Click HERE to read the first chapter.

     

    “Handling It” is the first book in my Welcome to Hardy Falls series and will be available as an eBook on June 22nd. It will also be coming out as a paperback on July 21st. I don’t have plans for an audiobook at this point (they’re more complicated to produce), but maybe someday….

    The eBook should be available for preorder soon – on the sites that allow preordering, anyway. More info on that when I figure out what I’m doing.

    PS – HUGE thanks to my wonderful beta readers, my marvelous editor, and everyone who helped me with information, insight, and support.

    So….one step further down the path.

    HOORAY!!!

    [tube]https://www.youtube.com/watch?v=GYD1fzwsrVk[/tube]

     

  • Fear, And Moving Forward

    bloom

    “Most of us have two lives. The life we live, and the unlived life within us. Between the two stands Resistance.”

    ― Steven Pressfield
    The War of Art: Break Through the Blocks & Win Your Inner Creative Battles

    A story of my last 6 months.

    The fear is always there, bubbling right under the surface, waiting to grab, to pull me under, but by the beginning of November I think I have powered through it. I have finished the book I was writing.

    Then come the delays.

    When I think about it now, I tell myself that, if I could have published the book, Handling It, right away, I might have kept my momentum. I tell myself that I could have kept those plates spinning. That’s what I tell myself. But I’m probably lying. It doesn’t matter anyway. I cannot publish the book right away because it needs to be read, prepared, edited. I need a cover and a sales blurb. I need to know how to publish on the various platforms.

    Then there are holidays. There are demands on my time. Work.

    More delays. Weeks pass.

    Still, I think I’m doing the right thing. In a lot of ways, I AM doing the right thing. I’m not just resting on my laurels, I’ve started another book. Okay, yes, it’s a prequel and not the next book in the series, but I’m writing, aren’t I? The first draft is finished in only eight weeks. I am moving along.

    True, the second draft gets bogged down, but now I’m working to get my business set up. First I have to get a business name, open banks accounts. I have to find cover images, learn enough about Photoshop to make a decent cover. I have to spend lots of time reading self-publishing blogs and worrying about marketing. These things aren’t writing, but they’re important.

    Right?

    Then the editor returns the edits for Handling It, the book I finished in November. Hooray! All I need to do now is make changes and get it out on the sites. Things are moving. I just need to take the last few steps.

    And the fear swamps me. Like a tidal wave smashing into the shore, it pulls down the rickety little shack I’ve managed to build.

    I don’t deal with the fear, though. I run away from it as fast as I can. Of course, I don’t realize I’m running. No, I start rationalizing.

    I tell myself that I’m going to finish the prequel I’m working on before I publish Handling It. See, Handling It is the first book in the series, and it makes sense to publish the prequel at the same time. So I’m going to hold Handling It until the prequel is finished.

    But suddenly I’m not making any progress on the prequel at all. I’m just looking at the same sections over and over again until reading them makes me physically ill. It’s almost as if knowing I’m waiting for the prequel to be finished guaranteed the prequel would never be finished.

    Then I tell myself I CAN’T write. I have way too much to do. I have to shovel. No, now I have to mow. I have to weed. I have to deal with the mouse in my walls. I have to do my taxes. I have to take care of my mother.

    Then the voices really start. The voices are always lurking, like the fear. The voice of my grandmother, who told me she didn’t know why I kept trying because I never got anywhere anyway. The voice of another, who told me I should just give up because nothing was happening and it wasn’t worth it. The voices of the many other people who have made similar comments, became impatient with me, or were condescending.

    Loudest of all is my own voice. The voice that tells me that I can’t do it. That I don’t have the ability. That I will fail. That the world will only look and laugh. That I will be judged. That I will be belittled. That I will be mocked. After all the bullying from my peers I survived in my childhood and teenage years, do I really want to risk putting myself out there?

    Then comes the despair.

    Everything is overwhelming.

    There’s not enough time in the day.

    Everyone wants pieces of me, demands me to pour myself out for them. I have nothing to give them.

    I stop writing completely. I stop even trying to write. I stop blogging. I stop doing anything but what is expected of me. I stop trying to be myself.

    And everything grinds to a halt.

    Except the fear.

    All I know is that my “to-do” list is growing and my a1C number is rising and my life is dripping through my fingers day by day, never to be reclaimed.

    And the fear.

    Finally, I am desperate enough to take some action. I start meditating in a half-assed sort of way, just sitting and focusing on my breath for fifteen minutes twice a day.

    I realize I am afraid of my to-do list. I break the tasks down into small steps. I tell myself I only have to do one step at a time. And I start. A log shifts in the log jam.

    But when I try to write, I am still stalled. I am still trying to work on the prequel, but it’s getting nowhere. I have worked on the same paragraphs for a week, the same chapter for a month.

    I start second-guessing myself again. Maybe the people who told me I should just give up are right. Maybe the people who’ve told me my writing sucks are right. Maybe I shouldn’t even try anymore.

    Then the shame comes.

    Here I have these edits for Handling It and I haven’t finalized the book, have made excuses NOT to finalize the book.

    And finally I think that maybe I’ve been wrong. That maybe working on the prequel was an excuse.

    The prequel itself is a valid project and will be published, but maybe putting it ahead of the book that was already finished was just an excuse not to take the next step forward. Because as soon as I said I was going to hold Handling It until the prequel was also finished, I stopped being able to write at all.

    Maybe, I think, maybe that thought was self sabotage. Maybe that thought was the first log in the log-jam.

    It was so sly, I didn’t even recognize it, because it sounds so logical and rational. It sounds like a decision any publishing company would have made.

    But it is an incorrect decision for me because as soon as I made it, everything stopped.

    I make a new decision. I am going to finalize Handling It. I am going to publish it as soon as possible. I am not going to wait – I’m going to get it out the door.

    And I am afraid.

    No, I’m terrified. Terrified to the point that I am nauseous. I lose a few more days to fear.

    But this time, the fear is a good thing. Just as realizing I was afraid of my to-do list helped me start tackling it, realizing I am afraid – no terrified – of my own work helps me to see what I need to do. If I do not move forward into this fear, I will be turning away from all of the work I’ve done, all of the hopes I’ve had. I can’t do that. The only function of this fear is to hold me back.

    I sit down at the computer. My hands are shaking, sweating. I am hyperventilating. The world goes black around the edges. I almost faint, I am so afraid.

    But I open the file, and I start working through the edits.

    Then I make myself go back the next day.

    And the next.

    I am still afraid. But every time I open the file, the fear backs off a little bit.

    I’m moving forward. And the fear, when I faced it, showed me where I needed to go.

     

    “Are you paralyzed with fear? That’s a good sign. Fear is good. Like self-doubt, fear is an indicator. Fear tells us what we have to do.

    Remember our rule of thumb: The more scared we are of a work or calling, the more sure we can be that we have to do it.

    Resistance is experienced as fear; the degree of fear equates to the strength of Resistance. Therefore the more fear we feel about a specific enterprise, the more certain we can be that that enterprise is important to us and to the growth of our soul. That’s why we feel so much Resistance. If it meant nothing to us, there’d be no Resistance.”

    ― Steven Pressfield
    The War of Art: Break Through the Blocks & Win Your Inner Creative Battles

     

    Thank you for putting up with my angst here on the blog. I do appreciate it so very much.

    Handling It – the book mentioned in this post – will be out on June 22nd as an ebook at all ebook vendors. It will also come out as a paperback as soon as I figure out how to do that part. I’ll be posting the cover and first chapter next Tuesday!

     

    fly

     

  • Insights and Realizations

    woman thinkingI hope you liked  “The Story of a First Draft” (assuming you did read it) and didn’t find it to be too boring.  I enjoyed writing it – even though I’d originally intended it to be one blog post and it ended up being three.  Oh well.

    What I found most interesting about working through my writing process was what I realized about how I handle other aspects of my life.  Or don’t handle them, as the case may be.

    For example – I realized that, for me, the first draft is about discovering the story.  I usually know my starting situation, and I know where I want to end up.  The first draft is about finding the path between the glowing square of the start, and the distant spotlight of the end.  There are writers who outline extensively before they write anything.  I don’t do that.  When I’ve tried writing an extensive outline in the past, I never wrote the actual book.  All of my creativity went into the outline and I never took the next step.

    In other words, I realized that I don’t want to over-plan.  I have to leave room for creativity.  I can’t live my life by a strict schedule, no matter how much I might want to.

    On the other hand, I do plan somewhat.  Before I start a story, I try to see where I want to go – that’s the bit where the Muse and I come up with the faint path between the beginning and the end..  There are authors, like Steven King, who don’t even plan that much.  They just jump into the breach and off they go.  But I’ve learned the hard way that if I don’t have a plan at all, I never write the book either.  I’m too busy wandering around in the wilderness.

    In other words, I realized that I do want to have an idea of where I’m going.  I need to have a goal and some kind of a vision for the future or I’ll never go anywhere.  I’ll just sit at home eating inappropriately for my diabetic condition.

    By far my biggest writing problem was one I knew about before I even looked at my process.  I second guess myself.  I don’t commit.  I make all of the effort to come up with the faint path between the beginning and the end, and then decide that I’m wrong and stupid and need to start all over again.  Or I make a wrong turn and refuse to see I’m going in the wrong direction because I don’t want to do the work it takes to get back to where I can make a different choice.  And yes, there are times when I need to make changes or adjustments to what I thought the story would be at the beginning, but I can’t change my mind because I’ve suddenly decided I’m stupid.  I have to keep going until I have a good reason to change.

    In other words – I need to commit and make my way forward.  Insecurity is not a good reason to scrap everything.  Fear is not a good reason to quit (most of the time).

    I’ve also realized that I seem to have the sense that every story has to tell everything.  That’s not true.  The story is the story – a ribbon between a beginning and an end.  It doesn’t have to tell everything – it only has to be true to itself and tell the story it is trying to tell in the best way it possibly can.  If a compelling idea comes up that doesn’t fit with what the story is, well, that can be another story.

    In other words, the answer can’t always be “yes”.  You can’t answer the question, “Do you want to go here OR go there?” with “Yes.”  You have to make a decision and stick with it.  And if the decision you’ve made is wrong, then you usually have the option of scrapping the thing and starting over again from scratch.  Because then you’ll have a good reason.

    So, some very interesting insights.  And I guess that makes sense.  After all, when you create something – whether it’s a story, a painting, a photograph, or a business – it is always ultimately an expression of you.

    Even when you don’t realize it.

    bloom

  • The Story Of A First Draft (Part Three)

    starsPreviously on Betsy’s Blog…

    In Part One of The Story of a First Draft, the Muse gave Betsy the beginning situation of her story and showed her a spotlight shining on the ending off in the distance in the darkness of Betsy’s brain.  Together, the Muse and Betsy came up with a vision of the path that would take them from the beginning to the end.  Hooray!  Betsy is on her way to a glorious first draft!  Everything’s coming up roses!

    Then last week, in Part Two, Betsy starts out on her journey and runs into difficulties. She chooses the wrong fork in the road, writes herself into a corner, and sulks.  But eventually she is able to overcome the difficulty.  She can even move forward again!  She’s making progress!  Almost there!

    Until Betsy, in her infinite wisdom, decides she has been heading in the wrong direction the whole time.  For some reason, she decides the whole story is stupid and she needs to start all over again.  Much to the Muse’s disgust, she turns around to go back to the beginning.

    Will this first draft ever be finished?  Will Betsy be writing it for the rest of her life?  Join us and we’ll see…

     

    *Betsy retraces her steps on the path of the story* *When she is almost back to where she started, she turns*  *Starts again, this time heading for a different spotlight in the distance* *reworks squares as she lands on them or puts them away in the closet and writes other squares to take their place*

    See? See? Here we are! We’re at the spotlight!  And this one was a lot closer than the other one was. *spotlight glows a sickly red-green* *Betsy steps into the area it lights* *turns around* *sniffs* Hey!  Why does it smell so bad here?

    *the Muse, who has been following quietly in the distance, waves her hand in front of her nose* Whew! Wow, that is one rotten ending.

    What?  Why?  *Betsy pouts* *Turns to see glowing squares behind her are all jagged and bloody*  And what’s the matter with those squares?  They were all fine when I put them down on the path.

    *Muse rolls eyes*  Yeah, well, you dumb-ass that’s because you forced them to go together and tried to make the story be what you thought it should be instead of what it really is.  Who are you, Frankenstein?  How are you liking that fancy pants ending now, sister?

    *Betsy’s chin trembles*  But…but it looked so good from far away.

    *Muse fists hands on hips*  Well, it wasn’t good, was it?  All you were doing was second guessing yourself.  *Muse walks forward to poke Betsy in the head*  You’ve got a ton of stories up in there but you waste most of your time thinking you chose the wrong path and trying to fix it when there isn’t anything wrong with the path you were on in the first darn place. Now you have to go back to the beginning again.

    *Betsy’s eyes fill with tears*  I do? But I’ve reworked a lot of the squares when I was heading to this ending.  I don’t know what they were before.

    Tough tomatoes.  You reworked them?  Now you have to un-rework them. And not only that, but you have to figure out how they all fit together again.

    *Betsy sniffles* That’s not fair.

    *Muse smacks Betsy upside the head*  This time, just write the story you started out writing and don’t try to turn it into something else because you don’t trust yourself. 

    *Betsy blinks up at her*  But what if it really is wrong?

    *Muse sighs*  If it’s wrong, if it gets stuck, we’ll change it.  But all you were doing in this case was thinking it wasn’t good enough and needed to be something different.  Not all stories can be all things.  You find the path for the story and you stick with it – you don’t try to turn it into something else half way through.

    *Betsy scuffs sneaker on a pulsing red square* Okay.  I guess.

    *Muse pushes her out of the spotlight*  Get cracking.

    *time passes as Betsy retraces her steps* *gets rid of jagged, bloody squares* *finds a few glowing in the midst of the rubble and carefully puts them in place* *pulls out squares she saved* *reworks squares she reworked* *turns* *heads back towards the original spotlight, piecing things together again*

    *Then, one day….*

    *the faint path still between Betsy and the spotlight suddenly lights up like a slot machine* *lights run up the sides* *the glowing squares rise into the air, then turn and snap back into place*

    *Betsy claps her hands* I see it! I see it! I see the story!  I see how it should go! *races forward as fast as she can* *writing on the glowing squares and moving to the next one*

    Oh, my gosh! I’m here! *Betsy jumps up and down* I got to the right place!

    *turning, she looks back and sees a bright glowing ribbon flowing like a river under the moonlight back to the beginning square, sparkling with color* *the dome, which had been so black at the beginning, now captures the light and reflects it back until it is like a Christmas tree lit at midnight*

    Oh! *Betsy clasps hands to breast* Look at that!

    *Muse frowns thoughtfully* Remember, this is just the story-finding draft. It’s still very rough. See how it’s thin in some places and really thick in others? And see that part where the stream loops out and around? And the other place where it splits for a little while and then rejoins? I see some gaps here and there. We’ll have to fix those.

    *Betsy worries bottom lip* But is it good? Is it beautiful?

    *Muse shrugs* It is what it is. *looks sternly at Betsy* And that’s the point.  What we really want is for this story to be true to itself and to you.

    Me?

    *Muse gestures towards the path* Do you see those flashes of color? How the squares are really all the colors of the spectrum? That’s you. That’s what you put into them.

    *Betsy blinks* Really?

    Yes. You found the story. You are the creator because you brought it out into the world. It wouldn’t exist without you. If someone else found it, it would exist in a different way.

    *Betsy frowns*  But it’s just a stupid romance novel.

    It’s a story. And we’re going to make it the best we can. Then we’ll move on to the next one and make it even better.

    A story. And I found it. *Betsy stares at the ribbon of light*

    Yes. *the Muse smiles with satisfaction* You did.  And about damn time too.

     

     

    lighted path

     

     

     

  • The Story Of A First Draft (Part Two)

    pathsignsIf you joined us for Part One of The Story of a First Draft, you know that the Muse came to Betsy in the darkness of her mind.  Well, Betsy’s mind is generally dark (and somewhat blank), but in this case the darkness represented the story she is about to write before the writing began.  The Muse pointed Betsy towards a spotlight on the far side of the darkness, which is the ending of the story – where they thought they wanted to end up.  Then she indicated a glowing square under Betsy’s feet – the situation they’re starting with.

    Betsy and the Muse talk, and suddenly there is a faint path between the glowing square and the spotlight.  That path is the initial vision of the story – the story in potential, as it were.  Now Betsy is ready to set out on her journey by taking her first steps towards a first draft.  Just a side note, if Betsy were a plotter, these steps would be taken by writing an extensive outline.  However, Betsy is a pantser with trust issues – in other words, she plots a little bit and then writes by the seat of her pants (a true pantser doesn’t plot at all).  She did enough plotting to uncover the initial vision of the story.  Now she’s going to see if she can actually find the story the vision indicated.

    Will she succeed?  Let’s see…

     

    *Betsy is standing on the glowing square of the situation she is starting with*  *The Muse stands next to her*

    Here we go.  *Betsy writes the first scene* *a solid glowing square appears at her feet* Cool! *Betsy steps onto the new glowing square* Oh, I see how to get to the next square. *Betsy writes the next scene* *A new glowing square appears adjacent to the first one* *Betsy steps onto that* *Muse walks with her, whispering directions, humming tunes, pushing stray thoughts to and fro* *Betsy continues writing, continues stepping onto the new glowing squares that appear*  *Suddenly, she stops*

    *Muse stops humming* What’s up?

    I don’t know what to do. See that little spur going off from this square?  It looks like there are two ways I can go.  I can either follow the faint path, or I can go this other way.  Maybe I should do that instead.

    Do what you want, but that’s a whole different direction.

    But this other way is better. The faint path is boring. This other way will be much more interesting.  Besides, I know what I’m doing.

    *Muse mumbles* bnwn2h0nhgh0ah

    Yes, I think I’ll take this other way. *Betsy writes* *Glowing square appears* *Betsy steps onto it* *Betsy writes again* *another glowing square appears* *Betsy steps onto it*  *Betsy looks around*  Hey! How did I get all the way out here?

    Nbon3ngnngnngngn *Muse mumbles* *Muse has not moved*

    *Betsy thinks*  I’m not getting any closer to the spotlight. In fact the spotlight seems to be getting further away. At this rate I’ll have to have a lot more glowing squares to get there. And I seem to be up against this black wall… *Betsy runs hand over wall* Maybe I can break through it.

    *Betsy writes squares and tosses them down, but can’t take any steps forward*

    I can’t write! This is so stupid! This book is so stupid! I’m so stupid! *Betsy sits down on glowing square* *eats some pastries* *sulks* I completely suck. Everything I’ve ever written sucks. I should just throw it all out and forget about it and live in a cubicle forever.

    *Days pass*

    *Betsy thinks*  Hey, you know what? I wonder if I should go back to that place where I decided not to follow the faint path and went out on this spur instead. *Betsy carefully retraces footsteps back along the glowing blocks* *vines and brambles have grown up, making it hard to see her way* *she tries to untangle the threads weaving all around her feet* *finally she gives up and just cuts them* *immediately finds herself on glowing block with the muse*

    Finally! *Muse glares at her, hands on hips* I told you not to go that way.

    You were just mumbling. *Betsy frowns*

    You weren’t listening. *Muse points* Now go that way, dumbass.

    *Betsy writes and a glowing square appears* *she steps onto it* Hey! I was able to move forward! I can see my way now.

    Well, duh.

    *process continues* *then Betsy pauses* Hey! I think I see it now!

    *Muse buffs nails on robe* *holds them out* *admires them* What do you see?

    The way to get to the ending. *Betsy frowns* *considers the path*  *considers the horizon*  *considers the glowing squares*  No, I think I’ve made a mistake again.

    *Muse pauses in act of freshening lipstick* What?  Why?

    *Betsy points to the horizon*  *Now there are many faint spotlights in the distance*  *some are big, some are small*  Look – there are a ton of other endings out there.  I think I’m picking the wrong one.

    *Muse snaps lipstick closed and stows it away in robe*  *huffs out sigh of disgust* But the one you’re heading towards is the one you’ve been heading towards, basically, since the beginning. Why in the heck do you think it’s the wrong one now?

    Because the other ones seem prettier and more interesting and won’t it be fun if we do this and this and this? *writes squares, tosses them down*

    *Muse throws up hands*  But now you’re heading in a completely different direction!  Again!

    Yeah, but the story I’ve been writing is stupid and I should never have written it this way and I’m stupid and the characters are stupid and nobody will ever want to read it and I’ll never be good enough.  Oh, dang it!  I just know I’ve just made a mistake back in the beginning and now I need to forget all of this and start all over again! *Betsy turns around* *Betsy begins to gather up squares as she races back to where she started*

    *Muse grabs her arm and stops her* What the hell are you doing?

    I told you. I’m starting over. *Betsy cuddles glowing squares to her chest* But I can’t bear to get rid of any single little thing I’ve written, so I won’t delete these.  I’ll store them away.

    *Muse rolls eyes* I’ve told you. You have to trust the story! This can go a hundred different ways, but this is the way you’re taking it.  If it’s not exactly right, you can refine it in the second draft.

    No, no.  It needs to be perfect now.  *Betsy hides glowing squares in a closet for safekeeping* Okay, now let’s start again.

    *Muse sighs*  Oh, for heaven’s sake.

     

    To be continued…

     

    brambles

     

     

     

  • The Story Of A First Draft (Part One)

    spotlightAs noted in the previous blog post, Betsy and the Muse have been taking a good hard look at how Betsy writes.  They figured that if they could see what Betsy is actually doing in her writing process, they might be able to improve it and speed things up at little bit.  After all, Betsy needs to get jiggy with production in 2015 if she’s going to meet her indie author/publisher goals.

    Because Betsy tends to think in stories, she has written one – an allegory, if you will – to show how she seems to write a first draft.  It would perhaps have been a better plan to write about this in a more forthright manner, as other blogs do.  It was perhaps immature to create a, dare I say, dramatic rendition of the process.  And yes, it would perhaps have been kinder not to expose you, gentle and innocent reader, to the wild landscape of Betsy’s mindscape.

    On the other hand, you ARE reading this blog.  What did you expect?  You take what you get.

    Since things are never as short as you think they should be, this story will be posted in a three parts.  Here’s part one –

     

     

    *Betsy stands in a pitch dark space in her brain* *holds up her hand in front of her face* *can’t see anything at all* Huh. Creepy.

    *suddenly a spotlight shines from far away* *in the dark space it seems very bright* *Betsy squints at it* *there is a figure standing in that spotlight* *figure waves*

    Muse? Is that you?

    Yeah.  It’s me.

    Crap! *Betsy jumps* *spins around* *loses her balance* *Muse grabs her arm to steady her* Don’t do that!

    *Muse stands next to Betsy on a silver square* *Lit from below, she looks a little distorted* *shrugs*  Hey, I always surprise you. I have to get my kicks somewhere.

    My heart is pounding. *Betsy fists hand over heart and takes a few deep breaths* Okay, so what is all this?

    This is your story *Muse waves hand through air* *stars sparkle briefly, revealing that they are standing in dark dome*

    *Betsy frowns* I can’t see a stinking thing.

    *Muse points a glowing finger to the spotlight* That is where you need to end up, at least at this moment. The exact position may change as you walk towards it.

    *Betsy’s mouth drops open* But how can I get there? I can’t see anything? There could be chasms or mountains or…or…crocodiles between here and there!

    *Muse nods* There might.

    *Betsy glares at her* So then how in the heck am I supposed to get there? And you say it’s a moving target? I’ll never get there! I can’t do it!

    *Muse huffs out a sigh* How do you think you’ll get there? One step at a time. Duh!

    *Betsy waves hands maniacally* One step at a time? One step at a time?  I can’t even see my hands. See? *waves hands again* One step is all it will take to get hopelessly trapped in a Fire Swamp or eaten by an ROUS! Um, that’s Rodent of Unusual Size, by the way.

    *Muse slaps Betsy on back of head* Yeah, I’ve seen “The Princess Bride”, moron.

    So? Then you know how it goes. One minute you’re walking right along, the next – boom! – into sucked the lightning sand! And then you’re only mostly dead! This is impossible! Inconceivable!

    Okay. Calm down. *Muse puts her hands on Betsy’s shoulders* * shakes hard* You can do this. You’ve done this before. Focus.

    *Betsy whimpers* Okay.

    All right. *Muse pulls Betsy with her onto glowing square upon which she is standing* Do you see this?

    *Betsy squints* It’s a glowing square.

    *Muse sighs* Yes. It’s a glowing square. And can you tell me what it says on the square?

    *Betsy looks down* It says, “Calvin left June fifteen years ago because he believed people when they told him she wasn’t good enough for him. Now he’s back in town” *looks up at Muse* So?

    So, that’s your beginning. That’s the situation we’ll start with. And that spotlight over there is where you want to end up.

    *Betsy blinks* That’s where they get together?

    Yes. That’s the condition we’ll end with. Because this is a romance, we already know they’ll end up together. We just don’t know how or why or when or what.

    Oh, is that all. Well, that’s easy then.

    *Muse slaps Betsy on the back of the head again* That’s what we have to figure out because that’s what the book is about, dummy.

    Ow. *Betsy rubs head* So how do we do that?

    *Muse shrugs*  We just figure it out.

    *Muse and Betsy talk* *glowing lights flicker across rounded black dome* *all different colors flash on and off* *days pass* *perhaps weeks* *then, suddenly, there it is – a pathway glowing very faintly from the starting square to the ending spotlight*

    Wow. *Betsy looks at the faint path* What is that?

    That’s the way we think things will go. That is your vision of the story, at least as it exists now.

    *Betsy looks up at Muse* We don’t for sure?

    Well, the story knows, but you’ll have to work to uncover it.

    *Betsy pouts* That doesn’t seem fair.

    *Muse shrugs* Hey, if it was easy everyone would do it.

    *Betsy looks at the faint path again* So, what now?

    *Muse smiles* Now you start.

    Where?

    Let’s start at the very beginning. It’s a very good place to start.

    *Betsy draws in a deep breath* Okay. Here we go….

     

    To be continued…

     

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